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Bach
ARIA: So oft ich meine Tobackspfeife BWV 515/515a
Bartók forever
1:53 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 5 3 6 100%
Bass 22 0 7 4 100%
Oboe Treble 9 0 1 6 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 5 3 6 100%
Bass 22 0 7 4 100%
Oboe Treble 9 0 1 6 50%
 
Cantata: Wachet auf, ruft uns die Stimme | J.S. Bach, BWV 140
Barock
0:44 Est. Play
Time
73 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 8 0 0 3 19%
4 0 0 1 38%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 8 0 0 3 19%
4 0 0 1 38%
9 0 0 4 23%
8 0 0 3 27%
B.c. Bass 19 0 3 4 100%
Violino
I		 Treble 22 0 5 6 100%
Oboe
I		 Treble 14 0 2 6 96%
Viiolino Treble 22 0 5 6 92%
Oboe
II		 Treble 12 0 0 5 77%
Taille 11 0 0 5 77%
Viola 13 0 1 5 73%
Violino
II		 Treble 12 0 0 5 73%
Corno
 5 0 0 1 38%
 
J. S. Bach: Dona nobis pacem (BWV 232 final mvt)
BSG
3:12 Est. Play
Time
46 Measures
2,802Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98%
Treble 14 0 3 5 93%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98%
Treble 14 0 3 5 93%
Bass 22 1 6 5 100%
15 0 3 5 100%
CtoR Treble 17 45 4 7 100%
Bass 18 0 5 6 100%
Tenor Treble 15 0 3 5 100%
Alto Treble 12 0 2 4 98%
Continuo Bass 20 1 6 5 98%
Contrabass Bass 20 1 6 5 98%
Bass Bass 19 0 6 5 93%
Flute Treble 14 0 3 5 93%
Soprano Treble 14 0 3 5 93%
Oboe Treble 18 34 5 6 82%
Trombe
1
amp;amp;
2		 Treble 11 0 1 5 51%
Timpani Bass 2 0 0 5 22%
Tromba
3		 Treble 11 0 1 5 22%
 
Nun danket alle Gott - Partitur mit Vorspiel
acastl
2:49 Est. Play
Time
73 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I/3 Bass 14 0 4 6 100%
I/4 Bass 16 0 4 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I/3 Bass 14 0 4 6 100%
I/4 Bass 16 0 4 4 100%
I/2 Treble 11 0 2 7 99%
I/1 Treble 12 0 3 7 98%
II/1+2 Treble 9 0 1 4 67%
II/3+4 Bass 17 0 2 4 67%
 
Bach - Missa in F Major, Gloria. {Professional production full score.} Unfinished.
Jamie Holdham
1:07 Est. Play
Time
89 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo. Bass 13 0 1 3 100%
Violino
I.		 Treble 16 0 2 4 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo. Bass 13 0 1 3 100%
Violino
I.		 Treble 16 0 2 4 100%
Violino
II.		 Treble 15 0 1 4 100%
Viola. 16 0 2 3 97%
Oboe
I.		 Treble 15 0 2 5 77%
Oboe
II.		 Treble 12 0 1 5 77%
Corno
I.		 Treble 10 0 0 4 63%
Corno
II.		 Treble 9 0 0 4 57%
Basso. Bass 13 0 1 3 47%
Tenore. 13 0 2 3 43%
Alto. 11 0 1 2 27%
Soprano. 12 0 1 2 23%
 
Jesus Joy of Man's Desiring by Bach, Arranged by Mark Hugo
Threespot@aol.com
2:24 Est. Play
Time
72 Measures
1,289Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
II		 Treble 12 0 3 3 100%
Violins
I		 Treble 19 0 6 5 97%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
II		 Treble 12 0 3 3 100%
Violins
I		 Treble 19 0 6 5 97%
Flutes Treble 19 0 6 5 88%
Oboes Treble 19 0 6 5 88%
Contrabasses Bass 18 0 5 3 81%
Violoncellos Bass 19 0 6 5 74%
Bassoons Bass 18 5 1 4 56%
Clarinets
in
B♭		 Treble 17 22 2 4 43%
Horns
in
F		 Treble 16 6 1 5 37%
Treble 13 12 1 4 33%
Violas 12 3 0 4 26%
 
Handel Messias
raphael05
3:10 Est. Play
Time
95 Measures
2,721Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 2 5 100%
Harpsichord Treble 29 155 4 5 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 2 5 100%
Harpsichord Treble 29 155 4 5 100%
Viola Treble 16 0 2 5 99%
Bassoon Bass 20 0 2 5 98%
Violin
I		 Treble 20 0 1 6 98%
Tenor Treble 13 0 1 5 96%
Violin
II		 Treble 21 0 3 5 96%
Bass Bass 14 0 2 6 95%
Alto Treble 13 0 2 5 92%
Oboe Treble 12 0 0 5 87%
Soprano Treble 12 0 0 5 87%
Trumpet
I		 Treble 11 0 1 5 64%
Trumpet
II		 Treble 7 0 0 5 52%
Timpani Bass 2 0 0 5 51%
 
BWV972 Bach Concerto in D I.Allegro
Michał Wolski
1:45 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone
Saxophone		 Treble 20 0 4 6 90%
Alto
Saxophone		 Treble 14 1 1 5 44%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone
Saxophone		 Treble 20 0 4 6 90%
Alto
Saxophone		 Treble 14 1 1 5 44%
Treble 17 0 3 6 87%
Treble 18 0 1 6 67%
B♭
Trumpet		 Treble 13 0 2 4 69%
 
338. Was Gott thut, das ist wohl gethan. J.S. Bach, BWV 144-3.
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 4 100%
Treble 12 0 1 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 4 100%
Treble 12 0 1 4 100%
Bass 14 0 1 4 100%
Bass 14 0 1 4 100%
Soprano/Alto Treble 12 0 1 4 100%
Tenor/Bass Bass 14 0 1 4 100%
Contrabass Bass 9 0 1 3 50%
 
BWV 925, Little Prelude in D - (Revised and modified Dec 28, 2109)
Astrel
1:06 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 20 7 3 6 100%
Treble 18 7 3 6 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 20 7 3 6 100%
Treble 18 7 3 6 100%
Contrabasses Bass 15 0 2 3 100%
Violas 22 1 2 4 100%
Violoncellos Bass 20 0 2 5 100%
C
Trumpet		 Treble 17 4 2 7 94%
Horn
in
F		 Treble 18 1 2 5 94%
Flute Treble 13 7 2 6 73%
Oboe Treble 14 4 1 5 73%
B♭
Clarinet		 Treble 18 0 2 5 69%
A
Bass
Clarinet		 Treble 19 0 1 4 67%
 
52. Da der Herr Christ zu Tische sass. BWV 285. Johann Sebastian Bach
SDG
0:41 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 18 0 3 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 18 0 3 5 100%
Contrabass Bass 13 0 1 5 50%
Tenor Treble 3 0 0 2 8%
 
Menuet n°2
Maskangou
1:12 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Marimba Treble 12 0 2 1 100%
Bass 22 0 6 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Marimba Treble 12 0 2 1 100%
Bass 22 0 6 4 100%
Xylophone Treble 11 0 2 2 88%
Glockenspiel Treble 9 0 1 1 75%
 
74. Ein' feste Burg ist unser Gott. J.S. Bach. Luther. B.A. 39. No 49. BWV 302.
SDG
0:59 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 4 100%
Treble 13 0 2 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 4 100%
Treble 13 0 2 4 100%
Bass 18 0 3 5 100%
Bass 18 0 3 5 100%
Soprano/Alto Treble 13 0 2 4 100%
Tenor/Bass Bass 18 0 3 5 100%
Contrabass Bass 14 0 1 3 50%
 
171. Heut' triumphiret Gottes Sohn. BWV 342. Johann Sebastian Bach.
SDG
0:56 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 5 100%
Tenor/Bass Bass 14 0 1 4 100%
Contrabass Bass 11 0 1 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 5 100%
Tenor/Bass Bass 14 0 1 4 100%
Contrabass Bass 11 0 1 4 50%
 
53. Danket dem Herren, denn er ist sehr freundlich. BWV 286.
SDG
0:18 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 2 4 100%
Tenor/Bass Bass 17 0 3 6 100%
Contrabass Bass 10 0 1 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 2 4 100%
Tenor/Bass Bass 17 0 3 6 100%
Contrabass Bass 10 0 1 4 50%
 
13. Allein Gott in der Höh' sei Ehr', BWV 104.6. Cantate 104. Du Hirte Israel, höre.
SDG
0:55 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 11 0 1 3 100%
Treble 11 0 1 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 11 0 1 3 100%
Treble 11 0 1 3 100%
Bass 16 0 2 4 100%
Bass 16 0 2 4 100%
Soprano/Alto Treble 11 0 1 3 100%
Tenor/Bass Bass 16 0 2 4 100%
Oboe Bass 8 0 1 4 85%
Contrabass Bass 10 0 1 2 50%
 
20. Als der gütige Gott, BWV 264, Johann Sebastian Bach
SDG
0:30 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 9 0 0 6 100%
Tenor/Bass Bass 16 0 2 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 9 0 0 6 100%
Tenor/Bass Bass 16 0 2 7 100%
Contrabass Bass 10 0 1 5 50%
Alto Treble 3 0 0 4 18%
 
Bach - Wachet auf, ruft uns die Stimme. (Chorus I.) {Unfinished.}
Jamie Holdham
1:16 Est. Play
Time
123 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 21 0 4 6 100%
Harpsichord Treble 19 0 3 4 97%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 21 0 4 6 100%
Harpsichord Treble 19 0 3 4 97%
Bass 19 0 3 4 97%
Bassoon Bass 19 0 3 4 97%
Continuo. Bass 19 0 3 4 97%
Oboe
I.		 Treble 14 0 2 6 97%
Organ Bass 19 0 3 4 97%
Oboe
II.		 Treble 13 0 1 6 76%
Violino
II		 Treble 13 0 1 5 71%
Taille. Treble 11 0 0 5 65%
Viola. 15 0 3 5 65%
Soprano. 7 0 0 1 47%
Alto. 10 0 1 4 32%
Tenore. 9 0 0 5 32%
Basso. Bass 11 0 0 4 24%